Review: The Freewrite Traveler

Or: Yes, I Really Did Have a Problem

Note: My first device review! I’m putting this together after promising some members of my writing group that I would. If you’ve been considering a Freewrite, I hope this review is helpful. This post is not sponsored, and my household bought my Freewrite with our own money.

Introduction: Writing in the Before-Time

Folks who follow me on social media or know of me over in Romance World probably can’t miss the fact that I’m a Social Media and Marketing Manager for a little indie press, Tender and Tempting Tales. This role allows me to help develop and protect the brand where many of my stories reside, and I do a lot of jobs at the press as a sort of all-purpose press gremlin: copy and line editing, cover making, graphics for the zines, and now general editing. Since I do so many jobs ushering the anthologies, and especially the zines, to fruition, it’s important to me to help represent them on social media with integrity and style. I want the authors to feel loved and showcased. I want the brand to feel vibrant and snazzy. I want it to feel like it has a small group of people’s impassioned vision behind it. Beyond brand integrity, I want it to feel artistic and beloved, because it is. For the zines especially, that’s important, because I feel like zines are all about small artistic communities and collaborative creative energy.

On top of all that, it’s a way for me to express myself, and I always like having multiple ways of expressing myself. I’m enthusiastic about the authors and the stories, and I want them and our readers to feel that enthusiasm.

BUT... but. Back in 2024, before I wrote for submission or had any connection with a press, I had actually completely disconnected from social media. I’d taken a huge step back from Facebook, which, during the Pandemic, I decided didn’t help my mental health. I made jam. I took pictures of my flowers. I did cross stitch. I was home with my son all that year, who was in that cute, very goblinous stage between one and two, when a baby quickly transforms into a toddler before your eyes. We had Star Trek: TNG on a lot, and he loved it. I was finally done with my PhD, and just enjoying... life, when the great stressful paperweight of that dissertation finally lifted off my brain, and my creativity blew all over the place with wild abandon. 

Back then, my little laptop computer always had three applications open: Discord for my writing group and convention friends, OneNote for my world and story notes, and Word. In Word, I wrote What Remains, to the tune of 4,000 to 8,000 words every day. While my son ate his lunch, I wrote. During his naps, I wrote. While he played with blocks or his soft books or pretended to write beside me with his Melissa and Doug wooden laptop toy, I wrote. After he went to bed, I made some green tea and sighed with relief, and I spent the next three hours writing, before I went to bed and woke up early to do it all over again.

And I looked forward to it. The days had a routine. Divided off from the world in the most profound way, looking out for my son before he could start preschool and while my husband worked, I did laundry and made dinners and lunches and managed the pantry, and I expressed myself by writing. Only writing.

In that year, I produced nearly a million words. I had a lot to express and very little adult contact. With my job being childcare, I had scant subjects to discuss other than him and his milestones, and I noticed my friends didn’t know what to talk to me about. But I had two beta readers gobbling up What Remains as I produced it, largely between chapters fifteen and fifty, and talking to them every day over Discord gave me an invaluable connection to the world and to adults, where I could again have critical, dynamic conversations. They kept me sane. If you’ve been following my social media this last week, you’ll see those two beta readers in my gratitude posts: Bex and Mark, who graciously read huge quantities of What Remains and kept me company during a lonely time. I’ll always be grateful to them for that. Maybe they sensed that I needed some kind of outlet and someone to talk to that year, because I sure did.

Writing for Submission and Being Terminally Online

In 2025, my son started Montessori; he was behind in his speech and needed socializing, and Rob wanted me to focus on my writing career, so I very suddenly got six hours each day to work without gremlinous interference. Almost immediately, I wrote and submitted “Crimson Wake” for Moonlight and Margaritas, getting valuable feedback from Jenna Harte before and doing multiple rewrites. I read a lot of her Write with Harte articles, and I learned a great deal about romance, being an indie author, marketing online, self-publishing, and romance categories and subgenres. I took courses with InkersCon and joined mailing lists. I interviewed other authors, like Parrish Baker, to figure out what they were doing. I read our anthology when it came out.

By the time we did our Facebook Takeover, my aim was to wow people, and I quickly worked on mastering Canva. I went to WWH on Thursdays, where Jenna quickly asked me to start helping the press with graphics and marketing support. Having a PhD indicates little about me other than the face that I am, as a member of my dissertation committee called it, an “autodidact.” That’s just a fancy word for a quick learner, and lots of indie authors are the same way—Jenna and Parrish especially. If there’s a skill I need or an obstacle in my way that I can learn my way around, I’ll jump on mastering it.

So here I am. Social Media Manager, Marketing Manager, Editor, Layout Gremlin, Substack Overseer, Author Chivvier, Beta Reader, Copyeditor, Graphics Maker, Cover Maker. All that is in addition to being now a board member at Strategicon, still running a department there, and of course Lore Maven and Main Fiction Writer for Starship Valkyrie, and now leader of my writing group.

And my computer, that sweet little laptop where I used to just write, is a site of horror.

What’s open all the time on it now? Well, let’s see. I monitor the T&TT socials, so the press’s Instagram and Substack are perennially open, as well as (less often) my Instagram. My Substack dashboard is always open. I often have Facebook open—not because it’s particularly useful for marketing, but because the Messenger app for Windows is defunct, and it’s where I chat with Parrish and some other friends who don’t always have Discord open. I monitor multiple Discord servers (this was always the case), including the public and private Valkyrie servers. I always have OneNote open, usually to a conlang page or the master list of Valkyrie names. Email, once only used for beta reads and Strategicon, is open and constantly pinging for attention from fellow editors, authors, guests for the podcast, etc. I have a weekly rota of tasks: add to the scheduler or change the scheduler, emails, make the podcast outline, schedule future weeks of the podcast, market posted episodes of the podcast, make sure we have a Substack post, and read and edit submissions or add stories to layout, depending on where we are in the process. Then there’s Valkyrie work: promote posts, write MOTE responses, promote writing, promote anthologies I’m in, write for new anthologies….

Word is always open, increasingly with a sense of optimism, rather than true usage. My mind flutters in a thousand different directions at all times, to the things I could and should be doing. I change programs constantly, search through drafts for unimportant details, stop to read, get hung up on a paragraph, start editing. I miss the magic of those 2024 days, and sometimes I find myself opening What Remains to read chapters and get that feeling back. I plan and plot. I quote-post. I restack. I talk to friends and respond to comments and reach out to other authors and invite them to the podcast. I obsess over fonts and line distance on graphics. I get better at Canva! Endlessly get better at Canva. Between T&TT and my own socials, I estimate that I’ve made something like 800 graphics in a year.

Did I write a million words in 2025? No. 

I still wrote a lot, and I improved my craft. I don’t regret the Short Story Camp I ran, or all the submissions I wrote, or the way I improved sentence-level writing by turning my focus to shortform writing for a while. In returning to longform, as I’m doing now, I notice that my prose is much improved, and I have a greater sense of the value of any single sentence or action. I recommend to all novel writers that they spend some time writing for submission to anthologies and zines, and practice crafting a single satisfying story with a word count between 7000 and 10,000 words. It’s done wonders for me.

But I cannot deny that I’ve been less productive, particularly when it comes to novels. Worse than this is the persistent feeling in front of my computer that my brain is splitting apart at the seams, and my focus is fluttering all over the place. Check Instagram. Respond to an email. Make a graphic. Respond to a comment. Shit, wasn’t I supposed to look at another version of that draft? Wait, what was the name of that character again? Am I using the same morpheme for grain in this word as I did in another one? Maybe I should make a full systematized lexicon for this conlang. Oh, and I should make a wiki article about it. And tell the Valkyrie community. And on. And on. And on.

It’s a creative headache of the soul. All indie authors, at varying stages of success, have to do a version of this. Make posts, do outreach, monitor social media, edit their own stuff. I have added to that the duties of a press, the Valkyrie community (to whom I owe the success I have), and the convention (to whom I also owe gratitude for their support). I’ve started applying to conventions and author events and marketplaces outside Strategicon, now I have a serious inventory of books—and my own release coming out, which I’ll talk about at the end of this post. All of those tasks take not only time and attention, but also creative energy... especially the graphics and Reels. I often find myself staring at a seemingly unconquerable to-do list of tasks, and my planner gives my friends Sanity Damage whenever I show them the weekly spread, full of my daily checklists.

I’ve started looking into making a separate diary notebook, where instead of just checking off task boxes, I reflect some on the day, think about the good things that happened, collect the things I’m grateful for, and record how I’m feeling. It’s not that reflection is something I struggle with, but the Book of Hours for my life, when I look back on it, is just tasks. Productivity. Stuff I did and made, not how I felt about it or experienced any of it. That can’t be good for me, nor for any creative mind. My work output itself does chronicle, to some degree, how I’m feeling: stressed, worried, overwhelmed, careworn.... firing phase missiles. (Ha, just kidding.)

Devices and Problems

I’m not usually a believer that a single device can or will solve anyone’s problems. If you told me you collect books and have too much clutter, so you got a Kindle, I would tell you that your Kindle will not solve the clutter problem or the buying-books problem. People who like buying physical books and spending time in bookstores will not replace that experience with a Kindle. The transformation must be more profound. If you told me you went through your library, audited every book, chose the ones you wanted to keep, replaced the others on Kindle, then donated the physical copies, I would believe a transformation had taken place.

However, as you can see, I really did have a problem. I still have a problem. My laptop is a site of horror. Every time I open it, I’m stressed out. I need to reduce that rota of tasks, and I have been taking steps since June to do so and alter my role with the press somewhat. Those steps have not meaningfully changed my laptop back into a place where I can write every single day and devote myself to productivity in a novel draft, or to writing blog articles, or even writing a short story anymore. I can edit on my laptop, though I confess that even that is a struggle. There’s simply too much to do.

I celebrated a big birthday in June, and my husband, sweet hero that he is, asked me what I wanted. I had been seeing ads for a month on Instagram (hilariously enough) for a Freewrite. They caught me up every time. At first, it seemed ridiculous. An e-ink device just for drafting? Little edit functionality? And the price! Good lord. And alternatives didn’t impress me.

But the more time I spent on my computer, my brain fractioning and flying apart, my focus splitting, with that headache of the soul deepening and deepening, the more often I stared at the device in the Freewrite store. By the time my birthday drew near, and people kept asking me what I wanted, I found the answer was “a way to get away from all this.” I wanted space. I wanted to be able to “go away and create.” The ability to write a goddamn novel again. Some modicum of goddamn peace.

None of how I’ve been feeling is the fault of anyone else. It’s a function of who I am. I’m a details person. I have to not only be good enough at something, but amazing. I must wow people. I have to do everything, and do it well, and I really, really want to be a successful writer and editor especially. I’ve always wanted those things, ever since I was a kid. For an indie author, it often feels like you can be as successful as you’re willing to work at it, and the tasks are endless.

Rob had me seriously sit down and examine all the different devices and figure out which one would best align with what I wanted and my style of drafting. If anyone in this house knows I have a problem with that endless rota of laptop tasks, it’s Rob. He’s watched me struggle with this for months now.

I ultimately chose the Traveler, not because the cost was lower—though it was—but because I liked the size of the screen and its lightness. I’ve always liked drafting anywhere (which is why I have the tiny laptop), and for a while, I even tried shifting all my press work from the laptop to my desktop to stop myself from constantly splitting my brain. This, of course, did not work because the laptop COULD do those things, and the problem stems from the fact that so long as I COULD be doing those things, I WOULD. I felt compulsively as though I had to, and no amount of splitting work days, trying to write first thing, closing browser windows and tabs, corrected the problem.

While we waited for the Traveler and my birthday to arrive, I found myself eagerly looking forward to it. It felt like a vacation in a box. A room of one’s own, arriving by mail. A healing salve for my brain. I struggle to explain all of this, except to say that this feeling was very real and that it had an element of truth to it. I had a problem. I have a problem. Sometimes the answer to a question is to dissolve the question. How to turn my laptop into not a site of horrors, so I could write? Don’t. 

A device solved my problem, or rather, dissolved it. I wanted to write. I started the thing up, and I started writing. How was it that simple? I still don’t freaking know. I needed space. I got it. 

Go Away and Create

My husband found a sale for the Freewrite, but we bought it ourselves and I received it for my birthday. This post is not sponsored. I wanted to write it for the benefit mainly of my writing group, since I’ve been talking about reviewing the Traveler since I received it and noticed the remarkable uptick in my productivity, and a real change in my state of mind. The truth is that I love this thing.

As we speak, I am writing my review for the Traveler on the Traveler. I am in a sprint on my phone with three members of my writing group. They are aware, as you will now be, that I am currently passing the 50k-word mark on my Freewrite since I received it. I received the device on June 28th, and it is now July 23^rd. By the time I had hit nineteen drafting days, I had achieved 45k words, and I am now hitting a Noveling November’s worth of words in less than a month—painlessly. [As of editing and posting this blog, it is July 27^th, and I am now at 60k words… another 10k in four days.]

It’s easier on my wrists. The keyboard is small and perfect for my tiny fingers. The typing is fluid, the keyboard satisfyingly haptic and clicky, while not being annoyingly loud. I took it to my dentist and wrote 1500 words while waiting in the chair biting down on gauze. I took it to a write-in with my writing group and showed them its functions with gratitude and pride. It’s become a joke in my house that I thank my husband for it every single day, as one of my favorite gifts I’ve ever received.

Review: Freewrite Traveler Functionality

So, let’s get past the gushing and talk turkey. The Traveler is very light and has a clamshell design, with lots of space for stickers. (Yes, I have festooned mine with Valkyrie stickers and will continue to do so.) It has an e-ink screen which updates in sync with your typing, but when backspacing, there is a very small delay. It has a stopwatch feature, folders of multiple drafts, automatic sync to the cloud, and integration for secondary backup to several common platforms, including Onedrive and Dropbox. The outside is black and stylish, and the inside is white and easy to see in most lighting. The e-ink screen does not have a front or backlight, unlike the Alpha; to write in bed (yes, I use it to write before bed), I got a clip-on LED reading light with multiple brightness and warmth settings, so that I could use a dim, golden light instead of one of those bright, light-of-the-sun blue LED lights so common on the marketplace, the ones that try their damnedest to burn your retinas out. Between these two devices, I can easily log an additional 1500 words before bed without blasting my eyes with blue light, and this feature is one I particularly enjoy. I attach the light, which has a padded clip to be friendly to books, on the corner of my clamshell, to the side of the e-ink screen, and it works quite well.

Battery Life: Incredible. Another feature I particularly enjoy, especially when taking the device to write-ins or using it on my patio, is that I really don’t have to worry about the battery life. It lasts for days of heavy use, and continuing to type works well when the device is plugged in. 

Screen: This is an e-ink display, and the firmware is such that, when you type, the words update on the screen without much lag. I type fairly quickly for a “raptor typist” who trained myself, but quicker typists might experience lag; this is something to examine with other reviewers. If you type more than 70 words per minute, check with similar typists to be sure this won’t drive you crazy.

Glare: None. Like other e-ink screens, it works well in full light, including sunlight, just like the paper in a book. 

Lettering: The font is Courier, like you’re using an old typewriter, and I find I enjoy this. You can control the size of the font using the Freewrite backend, Postbox. I use the smallest font because I’m still young enough that it doesn’t bother me, and I want to see as much text on the screen as I can at a time (another reason I preferred the Traveler), but you can make the text larger if you find it more comfortable for your eyes. The comparison for “small font” is, I would say, fourteen-point font on a laptop screen at 100% zoom on Word.

Screen size: The Traveler has the largest screen, I believe, of the different Freewrite devices, with the larger e-ink typewriters also having larger screens, and the Alpha having the smallest. I like the screen size on the Traveler, which allows me to read back ten lines of text before my current one.

Screen angle: Another reason I preferred the Traveler is that the clamshell design allows for a more acute screen angle which, because I’m short, means that I can angle it toward my eyes and not have to loom over it while typing. Other Freewrite devices are more like typewriters this way with a more obtuse angle to the screen. 

Editing: There is no mouse on a Traveler, and no clicking or icon, so you have to get used to the specialized functions of the Freewrite to learn how to navigate. This took me about a week to get used to. The Freewrite is for drafting, not for editing, so unless you’re making small edits within about twenty lines of the end of your document, navigating to edit is slow and frustrating. This is, I’m fairly certain, an intentional friction worked into the Freewrite. With editing not a function that comes easy on the device, it very much incentivizes you to keep writing, not editing. If you want to edit, you can hit the Send button to shoot that draft to your email inbox and import it to Word for edits. My current workflow is to use the Freewrite to draft several chapters of my current novel, Vox Protocol, then I send them to my email and move them to a blank document to fix smart quotes and dashes, and then they go into the main Vox document for overall editing. I tend to work in draft documents consisting of about three chapters at a time, which cap out at around 11k words before I send them and start editing; during edits, I will usually add more words and clean up continuity issues. If I cannot remember a word, I’ll use brackets or a stand-in. As I edit, I document conlang words from Vox Protocol in my OneNote notebook, and I have some thoughts about having a frequently used words, names, and terms note on my phone to aid me, and keep me from needing my laptop. I’m still dialing in that part of the process, but after 50k words on the device, I feel like a have a good handle on how I want to be using it.

Sprints: I’m in one right now. Since my phone has been aggressively curated to avoid excessive notifications, and because I cannot access the press’s Instagram or Substack from it, I can safely keep it open for Sprints with my writing group during certain times, especially when we have a writing camp going, as we do this month (Just Write July). The Special key allows you to cycle through several settings for your secondary e-ink strip below the screen on the Traveler, another feature I like. This little display can display the time, your draft’s word count, an analog-style clock, the date, or the stopwatch. Once a sprint begins on Discord, I cycle to the stopwatch, then check back in after the stopwatch gets to fifteen minutes—the standard length of our group’s sprints. I’ve told the folks at Astrohaus, who make the Freewrite, that more advanced sprint functions (word count goals, countdowns for the stopwatch, etc.) might be nice features, but they could distract from the device’s overall purpose and functionality. They also have a Sprinter interface on their backend at Postbox.

Folders: The Traveler includes three folders with their own buttons on the chassis: A, B, and C. Tapping a folder button will take you to the end of the most recent draft in that folder. I use A for random story bits (I have lots of these), B for Vox Protocol chapters (this is where current WIP novel chapter drafts will go), and I use C for other stuff in my weekly rota, such as blog posts (this post is being drafted in C), things like my Mission Briefing for Sapphics of Saturn, the zine I’m editing, and MOTE prompt responses, each of which has its own handy draft. This organization took about a week to take shape, but it’s working fairly well 50k words in.

Keyboard: The keyboard reminds me of older laptops, with mounded-style keys and pleasant haptic feedback, including a satisfying click, especially on the space bar. I’m a Millennial and cut my teeth on mechanical keyboards, but I also have small hands and like smaller keyboards on small laptops, so the Traveler works very well for me. In previous NaNoWriMo runs, when I was typing 50-80k words on my laptop, I would end the month with serious wrist issues. Now I’m north of 50k on the Freewrite, I can happily report this is much better. I have long suspected that the wrist rest on laptops—the extra chassis space where the trackpad for the mouse goes—has altered the angle at which I type and caused wrist issues. I have good data now that this is the case. If you have larger hands, however, you might prefer something like the Hemingwrite, which is a bigger machine. If you like to work at a table and prefer that angle, with your head above rather than behind your device, the electric typewriter style might be your jam.

Backend Functions: I’m still getting used to using the Postbox backend, where drafts back up, but one feature I already know I enjoy is the running word count and stats for various months. Freewrite recently did an update, which has caused a couple bugs (I can’t see June, for instance), but my full running word count for the device is there for me, in clear daylight. This is how I was able to say with confidence that I’d hit 50k, other than the obvious surge in words on my draft of Vox Protocol and all my other peripheral writing, including MOTE responses and preludes for this weekend’s Mars-focused Starship Valkyrie world event, all of which I wrote on my Freewrite. I’m a gamer, of course, so I love having a running “score” of sorts, and I adore me some writing stats; one thing I dearly miss about the NaNoWriMo site, which I used for writing goals throughout the year back in the day, was the stats page. “You write mostly at night! You’re a night owl!” And the graphs! Oh, the graphs. When we were solicited for feedback on features, this was something I told Astrohaus that the backend would be good for, in addition to more word count and drafting goal support. They responded and were very nice about it; the support at Freewrite has been fairly good and responsive so far. To be clear, given the price point, I would hope so.

Lock/Sleep Screen: Like all e-ink displays, the Freewrite has a static display when not in use. You can institute a lockscreen function, especially if you travel a lot with the Freewrite and/or use it for things like diary writing and blog posts. Since I mostly draft at home and use it for blog posts and drafting a novel that will be posted to Substack, I haven’t felt the need to use the lockscreen. The static screen is something I really enjoy, however. Unlike Kindle, which makes you pay extra to have a nice static screen and not an ad, the Traveler displays a different author and an appropriate background each time you put the device into rest mode, showing you a cycling rotation of them. I’ve seen Cervantes, Jane Austen, Edgar Allan Poe, Shakespeare, and lots more; there is apparently a new one added for every update to the firmware, so you can enjoy finding the new author after each update. My second display always says, in different fonts, “Set Your Story Free,” which has felt very appropriate to this season of writing. I do, in fact, feel as though part of me has been set free. 

Conclusion

I don’t usually think a device can solve a problem on its own, but I’ve reconciled myself to the idea that, when you’re ready to make a change, a device can help you get there. I had a problem. As you can see from the details of my review, I’ve had to make a change to my mindset and process, in addition to simply adding a device. I’ve had to have discipline about not opening that laptop first thing in any given day; instead, I open the Freewrite. I respond to emails quickly on my phone if they’re pertinent, but I’ve come to the conclusion—mammoth for me—that the most important part of my output as a writer is writing, and I must go into a separate space in order to produce it and facilitate my creativity. That space is the Freewrite, and the time is before I open my laptop to do other tasks.

I set a goal for myself in July to write at least a thousand words per day. As you can see from the numbers, I have overshot that mark by a huge margin. I’m not quite back to my 2024 highs of 4000-8000 words per day; I’m an indie author with other jobs, and I still need to do those things. I am, however, pleasantly surprised and pleased with my output. More importantly, I’m back to thinking with my writing to solve problems and plot my way through difficulties in my outline. Without the crutches and distractions, I find myself relying on my own internal resources and creativity more, and my confidence and self-regard has returned along with it. I feel more like a creative now, and less like an overwhelmed administrator.

Is a Freewrite the right device for you? I can’t answer that. I’m not here to shill for them. There are a lot of ways to create space for yourself to go away and create. You might do as a friend of mine did and spend more time using a notebook. You might turn an old laptop into a sort of Freewrite, with limited connectivity to the internet and no apps. You might get a real-ass typewriter, like another friend of mine did, and enjoy typing on that gatling gun for your thoughts. You might just create a more successful work schedule than I have, without feeling a persistent tug from a nagging sense of duty to monitor and do all the things. One of my issues is that I work for a press and manage a writing group, so I persistently have the very real feeling that other people, especially writers, are relying on me. The Freewrite has allowed me to make a concerted space for my own writing, so that when I’m at my laptop, I can be devoted to those tasks for the press,with and for other authors—without feeling like I should be writing all the while. Space-making of this form works in both directions.

My Rating: 5/5 Stars

Recommended? YES—if it works with your drafting style and needs, but yes regardless for any writer or author.

Publishing Updates

On July 13th, I appeared in the second zine from Tender and Tempting Tales with my first urban romantasy story. The zine is called Fantastical Foes, and I had the privilege of helping with the features, making the cover, doing layout, and doing editorial work beside the zine’s main editor, Urna Semper (Parrish Baker). This gave me the necessary experience for my own zine, Sapphics of Saturn, which opens for submissions next month. Are you a romance author interested in telling a queer sci-fi romance story? Check out my Mission Briefing here.

Working on layout and covers for the press also apprenticed me effectively for my big project: Contact Unknown. This Starship Valkyrie short story collection is all me, from top to bottom, from the cover to the layout to the editing, and all the prose inside.

It’s a thrilling introduction to the world of Starship Valkyrie, and it will be out on August 3rd. Preorders are available now, and you can also come meet me at my author signing at LFG Con in Burbank, California to get a paperback, or at Strategicon in September. Both conventions are for games, of course, because Starship Valkyrie is a live-action war game, strategy game, and roleplaying game first. At both cons, Rob and I will be running Starship Valkyrie; if you’re in the area, come say hi! Come play the game, and maybe grab a copy of the book or one of the anthologies I’m in. I’ll have copies of Margaritas, Paws, Foes, Fireworks, Bourbon, and Mercs with me, in addition to a handy stack of Contact Unknown. I would love to meet you in person or to see a familiar face.

Gratitude

I have said thank you to my husband just about every day for this device, and I want to say it again here: Thank you, sweetie. This thing is amazing. I love you. As always, I appreciate the space you give me for writing, and this Freewrite is the best representation of that space.

And thank you to all of you for reading. Preorders and support are important for indie authors, so if you’ve read this far and give Contact Unknown some love, I’d appreciate it so much. Until next time!